HELLO, HELLO

Sonya Vatomsky is a writer living in Manchester, England.

Sonya was born in the Soviet Union and grew up in the Pacific Northwest, where they studied Linguistics and Finnish at the University of Washington. They are the author of the forthcoming novel UNDER A FUR COAT, the poetry collection SALT IS FOR CURING, and two poetry chapbooks. Their fiction has appeared in Brave New Weird: The Best New Weird Horror while their nonfiction has appeared in The New York Times, Rolling Stone, and Smithsonian Magazine.

2025 featured Brave New Weird: The Best New Weird Horror
2024 shortlisted PFD Queer Fiction Prize
2024 finalist Best of the Net Anthology

Agent Judith Murray at Greene & Heaton

Photo Seanen Middleton


Coming September 2026, UNDER A FUR COAT is an art novel with obsession at its heart and folklore around the edges. It takes place in a Finnish forest.

PRE-ORDER UNDER A FUR COAT:

Waterstones
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short fiction

 

Brave New Weird: The Best New Weird Horror - The Yolo Wallpaper (reprint)

Witch Craft Magazine - The Yolo Wallpaper

Idle Ink - Hands Up Who Wants to Die

Nocturne Magazine - Wavetime!

ANMLY - Here Are The Ones That Went (Best of the Net finalist) 


 

Nonfiction

UNDER A FUR COAT

 
 
 
PRE-ORDER

Vivienne, a photographer from Manchester, arrives at a boarding house on a tiny Finnish island hoping to rekindle her creativity and heal her broken heart. Instead, she misses her wife. Her camera hangs at her side unused. And her fellow guests keep inviting her into the forest.

Vivienne quickly grows close with Ilya, the affable caretaker, and Gagarin, a rebellious mycologist. And when Gagarin confesses she's searching for a mythical bracket fungus - the Bigfoot of mushrooms - Vivienne throws herself headfirst into the cause.

The days pass in a blur of snow and birch trees and vodka. Yet the longer Vivienne spends in the forest, the more it consumes her. Haunted by lost time, inexplicable acts of violence, and rising tensions among the guests, Vivienne begins to suspect there's something darker behind Gagarin's determination. Because ambition always requires sacrifice. She's just not sure whose...


‘Surreal, sharp and deeply moving, Under a Fur Coat is a novel of outstanding reach and polish. A distinct and dazzling new gothic.’
― Julia Armfield, author of Our Wives Under the Sea and Private Rites

‘Vatomsky takes us on a brilliantly visceral journey of what it means to rearrange your life after heartbreak slices it in two. Under a Fur Coat is simply mesmerising - an account of what it's like to face some of our deepest fears. I want to stay lost in the cold, dark woods with Vivienne, Gagarin and Ilya.’
― Elle Nash, author of Deliver Me and Animals Eat Each Other

‘An astute depiction of the grief after betrayal and the destructive side of obsession with dark and unsettling undercurrents giving us glimpses of the fantastic. An accomplished debut novel.’
― Ever Dundas, author of Goblin and HellSans

‘A dark pastoral, a haunting winter song, Under A Fur Coat spins a ferociously consuming tale of lost identity, chosen family, art as both ritual and survival, and learning to be ruthless - but only a little - in the pursuit of becoming whole.’
― S. Elizabeth, author of Art of the Occult, Art of Darkness and Art of Fantasy


 

salt is for curing

 
 
 

SALT IS FOR CURING is a poetry collection that examines trauma and survival through the lenses of folklore, ritual, and language. Originally published in 2015 by Sator Press, it is now available from the award-winning independent press Two Dollar Radio.

An SPD Books Poetry Bestseller // Dennis Cooper’s 23 Favorite Poetry Books of 2015 // Semifinalist for the YesYes Books Pamet River Prize // Entropy Magazine’s Best Poetry Books of 2015

GET SALT IS FOR CURING:

Amazon UK

Amazon US

Bookshop

Two Dollar Radio

Ritualcravt


‘Curious, intricate poems.’
— Roxane Gay, author of Bad Feminist

‘Like the most enduring rituals, Vatomsky’s poems both intoxicate and ward.’
— Ken Baumann, Sator Press

‘Sonya Vatomsky's SALT IS FOR CURING is many things: a feast, a grimoire, a fairy tale world, the real world. It's also too smart for bullshit and too graceful to be mean about the bullshit: a marvelous debut. I love it.’
— Ariana Reines, author of Mercury

‘Imagine bodies within bodies eating a feast, spilling over with their own secrets and hopes and dreams and fears and brutality and witchery. That is the party you will find in this book—a modern-day, literary equivalent of a Bosch painting.’
— Juliet Escoria, author of Black Cloud

‘These poems melt the hard fat of life into tallow candles, then they reach up and light themselves.’
— Mike Young, author of Sprezzatura

‘They say only poets read poetry, but I would be remiss if I didn't recommend this to readers everywhere … My passion for this art form has been reignited.’
— The Belfry Network


 

poetry chapbooks

 
AndTheWhale.jpg

AND THE WHALE

Paper Nautilus, 2020

One of Dennis Cooper’s Favorite Books of 2021 // Winner of the 2019 Paper Nautilus Vella Chapbook Contest // Shortlisted for the 2019 Coast|noCOAST open reading period

‘A lyrical, haunted shipwreck of a book you won’t soon forget.’
— amanda lovelace, author of the princess saves herself in this one

‘Vatomsky is a poet with history, which is to say a poet with a Russian soul that never rests.’
— Gala Mukomolova, author of Without Protection


Sonya Vatomsky - Aspic

MY HEART IN ASPIC

Porkbelly Press, 2015

‘This is a book of sensory-rich poetry investigating the body, decay/fracture, rich marrow, salted flesh, and breathing in all the dark things. This is precisely the kind of work we were looking for when we talked about finding the pieces that capture sage smoke in the eaves. It hooks you from the epigraph quote (Marina Tsvetaeva) and serves up a multi-course meal of, as one reviewer suggests, the playful & grotesque.’
— Nicci Mechler, Porkbelly Press

‘This is all of the pretty in all of the not pretty. It’s the heart as a literal heart. It’s biting and it knows what it’s doing and it’s not going to compromise. It’s going to make you heart it. Spooky and gross in the best way.’
— The Fem Lit Magazine


 
 

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